Miguel Ángel Batalla, born in 1936, emerged as a notable figure in the global art scene, with his creative journey spanning decades and leaving an enduring impact. Influenced by master Demetrio Urruchuúa and the artistic essence of Lino Spilimbergo, Batalla's early years were marked by accolades and recognition and a transformative period in Brazil, guided by Professor Augusto Rodriguez, led to the development of his signature style, drawing inspiration from Taoist philosophy and primal forces. His sojourns to Barcelona and the East further enriched his work, which defies easy categorization yet reflects a synthesis of cultures. Batalla's oeuvre, characterized by simplicity, primitivism, and a thematic focus on human relationships, mainly through the lens of eroticism, continues to captivate and inspire, underscoring his pursuit of universal harmony through profound sentiment.
"A Farewell Chronicle" artwork stands as a poignant testament to the artist's final days, rich in symbolism reflecting his personal struggles. Within the painting, one senses a profound atmosphere of drowning, confusion, and desperation haunting the depicted characters. Drawing from Taoist philosophy, the red hues symbolize anger, while the white tones represent the inner light embraced by followers of Taoism. The presence of horses signifies virility, echoing Taoist principles. Noteworthy are the elongated facial features, reminiscent of the influence of artist Amadeo Modigliani, whom Miguel Ángel admired. Each visage seems to scream in anguish, echoing the artist's own turmoil as he battled testicular cancer during the artwork's creation, ultimately succumbing to his illness within a year of its completion—a poignant reflection of his personal plight. Miguel Angel completed this painting in 1992, and sadly passed away on January 31, 1993 shortly after finishing it.
